movie – benandsteve.com

2–3 minutes

Original title: Emperor of the North Pole

Running time: 1h :58m Rating: PG Genre: Period Drama / Thriller

Director: Robert Aldrich Writers: Christopher Knopf, inspired by the works of Jack London

A Ride Through the Great Depression — and Through Human Grit

The film is set in 1933. The Emperor of the North takes place against the backdrop of the Great Depression. During this time, the rails served as a lifeline for the desperate. They also became a battlefield for survival. Ernest Borgnine plays Shack. He is a brutal railroad conductor. Shack rules his train—the Number 19—with an iron fist and a hammer to match. His sworn enemy is the legendary hobo A No. 1, portrayed by Lee Marvin. A No. 1 rides the rails with the confidence of a man. He is cunning and refuses to be beaten by either poverty or authority.

The story becomes a symbolic duel between two men: the enforcer of order and the champion of freedom. Their rivalry becomes a metaphor for a country divided. Some cling to what little control they have. Others have lost everything but their pride.

A Director Who Keeps the Train on Track

Director Robert Aldrich (The Dirty Dozen, Whatever Happened to Baby Jane?) gives the film a muscular rhythm—every whistle blast and rattling wheel pulse with tension. When you think the film will slow, Aldrich revs it up with a fight. He adds a chase or introduces a moment of quiet resolve. His pacing keeps Emperor of the North from ever running off the rails. It balances moments of raw brutality with haunting glimpses of camaraderie among the downtrodden.

A Cast as Strong as Steel

Lee Marvin and Ernest Borgnine headline a powerhouse ensemble. The cast also includes a young Keith Carradine as Cigarette. He plays the eager, inexperienced hobo who idolizes A No. 1 but still has much to learn about survival and respect. The supporting cast, featuring Malcolm Atterbury, Simon Oakland, Sid Haig, Matt Clark, Elisha Cook Jr., and others, adds authenticity to the Depression-era world. Each actor feels carved from the same rough wood as the era itself—grimy, determined, and vividly alive.

A Story About Class, Pride, and the Price of Survival

Though marketed as an adventure, the movie is a study in pride and power. Shack’s tyranny is born out of fear and obsession; A No. 1’s rebellion comes from principle. The screenplay is inspired by Jack London’s tales of survival and the human spirit. It weaves geography and movement into a dance. This dance stretches across boxcars, over bridges, and into the soul of a broken nation.

“Only one man rides the rails — the other rules them.”

By the film’s climax, we’re left asking who truly wins. Is it the man who guards the system, or the man who defies it? Both emerge scarred by the journey. That’s the real message of Emperor of the North. Survival during desperate times demands both strength and sacrifice.

Verdict: ★★★★☆

A rugged, violent, and beautifully shot Depression-era thriller. Borgnine and Marvin deliver performances as fierce as the clanging of the rails themselves. It’s a story about pride and power. It also explores the peril of trying to be “Emperor” when the world has nothing left to give.