By Benjamin GroffMedia© | benandsteve.com | 2025 Truth Endures©

I was watching an old Western on television this past weekend. You know, the kind—cowboys and Indians. Or, as we might say today, American Ranchers and Indigenous Peoples.

The film, likely made in the 1950s, had the signature gloss of that era’s post-war cinema. Still, something about it suggested it was possibly shot even earlier, maybe in the 1940s. It was only later spliced, refitted, and packaged for the screen. The costumes, dialogue, and scenery all hinted at a time when the stereotypes were deeply ingrained in the script. They weren’t even questioned.

I probably watched that movie as a kid. I was sitting next to my father, not giving it a second thought. Back then, it was just another Western. But this time around, with a different set of eyes, what I saw was jarring.

It followed the predictable narrative: the cavalry riding in to tame the West and keep the “Indians” under control. Two delicately dressed white heroines were caught in the middle of a brewing conflict. A white doctor stood out as the lone character who dared to see Native people as human beings. He was mocked and ostracized for his compassion. This was especially true when a malaria outbreak swept through the tribe. He insisted they deserved treatment.

At one point, he stood in a room full of fellow whites. He asked,

“Do you think Indians are not human beings? Human beings like you and me, who deserve to live and be healthy?”

And one of the prim ladies, her hair perfect and her face untouched by empathy replied:

“I don’t know… how could they be?”

To which others in the room nodded and added, 

“That’s right.”

“Of course, they’re not!”

“No way, in God’s name.”

I sat there stunned, wondering:

“How did a line like that ever make it into a movie script?”

Even more troubling:

“How did it get past editors, producers, censors—only to be broadcast, repeated, and absorbed by generations?”

It wasn’t just offensive. It was abusive. And it made me sad.

Is there a historical context to such language? Possibly. But what would a young Native American child feel sitting in front of that screen? Would they see their life reflected as something lesser—something not worthy of protection or dignity? Listening to the white characters, it certainly felt that way.

And it took me back to where I grew up.

I’m from the Kiowa and Comanche Counties area in Oklahoma—Caddo County, specifically. I was raised alongside Native American children, many of whom I called friends.

Later in life, I worked in law enforcement and came to know tribal members through both personal and professional relationships. I learned a great deal from them—about their culture, their pride, their pain.

When I started in law enforcement, the department had an initiation ritual. It involved arresting a man nicknamed Fifteen Thousand. He was a Native man, around 50 years old, who’d been detained countless times—hence the name. His real name was Thomas Kamaulty Sr.

He was the first person I ever arrested as an officer. 

And, in time, Thomas became the first person I ever saw get sober. That meant something.

I also think about people like Ira Hayes. He was a Pima Indian from Arizona. Ira helped raise the flag at Iwo Jima during World War II. A hero by every standard. And yet, like Thomas, Ira suffered. Both carried the scars of discrimination and trauma. Both turned to alcohol as a way to numb the soul-deep wounds this country handed them.

We often ask why these cycles exist—but we rarely admit the truth: it’s because we’ve designed them to. We’ve placed people like Thomas, like Ira, into roles and systems. Their suffering can be managed. Their voices are diminished. Their lives are controlled. That was always the plan. And until we stop pretending it wasn’t, the script will keep playing—over and over again.