CELEBRATION OF LIFE ANNOUNCED FOR COUNTRY LEGEND JEANNIE SEELY

Jeannie Seely’s 5,398th Opry Show” Set for August 14 at Grand Ole Opry House

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A public Celebration of Life will honor Grand Ole Opry star and country music icon Jeannie Seely. It will be held Wednesday, August 14 at 10:00 a.m. CT at the Grand Ole Opry House in Nashville. Fittingly titled “Jeannie Seely’s 5,398th Opry Show,” the service will pay tribute to her unmatched legacy.

The event will be broadcast live on 650 AM WSM. It will also be available via livestream at: VIMEO. You can view it live there. Here.

Jeannie Seely passed away on Friday, August 1 at age 85, after complications from an intestinal infection. She held the record for most Opry appearances in history — 5,397 — a milestone unlikely to ever be surpassed.

Tributes from the Country Music Community

Many stars shared heartfelt words:

  • Ricky Skaggs: “She made nervous newcomers feel at peace. We can all take her lead and encourage the next generation.”
  • Pam Tillis: “She had grit, wit, talent—and she was cool.”
  • Larry Gatlin: “She was my champion and inspiration. I miss her already.”
  • John Anderson, Ray Stevens, Mark Chesnutt, Darryl Worley, Billy Dean, and others echoed similar admiration, love, and deep loss.

Legacy

Nicknamed “Miss Country Soul,” Jeannie Seely broke barriers for women in country music. She was the first woman to regularly host Opry segments. She is also a GRAMMY winner and a BMI-awarded songwriter. Additionally, she has been an Opry member since 1967. Her songs were recorded by legends. These include Merle HaggardDottie West, and Willie Nelson. She also shared the screen with Willie Nelson in Honeysuckle Rose. In 2022, she was honored for her historic number of Opry performances. A stretch of road near the venue was renamed the Jeannie Seely Interchange in 2024.

Instead of Flowers

Donations in Jeannie’s name are encouraged to pet-related charities or the Opry Trust Fundopry.com/about/opry-trust-fund

To start viewing events from Jeannie’s life, visit her website here. You can see the music she shared, events celebrated, and the people she loved.

The Grand Tour of Heartbreak and Hope: A Country Ballad in the Courtroom

By Benjamin GroffMedia© | benandsteve.com | 2025 Truth Endures©

3–4 minutes

That just about does it, don’t it? Step Right up Come On In!

The Honorable Judge Bledsoe peered over his glasses, clearly unimpressed. “Mr. Rawlins, you understand this is a legal proceeding, not the Grand Ole Opry?”

“Yes, Your Honor,”

Said Henry Rawlins. He stood tall in his dusty boots and bolo tie. One hand rested on a weathered Bible. The other clutched a crumpled lyric sheet.

Across the courtroom, his soon-to-be ex-wife, Sherry Lynn, sat rigid in her seat, her lawyer whispering furiously in her ear. Henry’s lawyer had already given up and was sitting down, his face red, wiping his forehead with a handkerchief.

Henry cleared his throat.

“But if the court will allow, I’d like to offer my final statement in my own words. I would also like to include the words of a few gentlemen. They helped me understand what went wrong.”

A murmur passed through the courtroom.

Judge Bledsoe sighed.

“Mr. Rawlins, continue—briefly.”

Henry nodded, unfolding the page.

“Your Honor, I ain’t a lawyer. But I know pain, regret, and how a man can lose his way. And those feelings are best told not in legal briefs but in country songs. So I offer my case—in three verses and a broken heart.”

He stepped ahead.

He turned to Sherry Lynn.

“I didn’t fight. I figured I’d already lost. And I didn’t blame her—not entirely. I hadn’t been easy to love.”

The courtroom was silent. Even the bailiff looked up from his crossword.

“Then,” Henry continued,

“I walked through what George Jones called ‘The Grand Tour.’ I opened the closet and saw her dresses hangin’ like ghosts. Our baby’s room still had the mobile spinnin’ slow. The smell of her perfume lingered like a memory that didn’t know how to leave.”

Judge Bledsoe adjusted in his seat, then motioned for him to finish.

“But, Your Honor, here’s the thing. I almost didn’t show up here today. I nearly signed the papers and walked away. But then I heard Randy Travis singing. He was singing ‘On the Other Hand… there’s a golden band.’ It reminded me of someone who would not understand.”

Henry looked again at Sherry Lynn, softer now.

“On one hand, I messed up. I got too comfortable. I stopped listening. I stopped holding her when she needed to be held. But on the other hand, I still believe in us. That golden band still means something to me. Maybe I’m a fool for sayin’ this here in court. I’d rather fight to fix it. I won’t stand here and let it all go to hell while quoting country songs.”

He folded the paper, tucked it into his jacket, and looked down.

“I rest my case.”

A pause. Then Judge Bledsoe leaned back in his chair.

“Well,” 

he said slowly,

“I’ve been on this bench for twenty-three years. I’ve heard lawyers argue using everything from scripture to Shakespeare. But, I’ve never heard anyone use Vern Gosdin.”

The judge turned to Sherry Lynn.

“Mrs. Rawlins, do you still wish to continue with the divorce?”

She was silent for a moment. Her expression softened as she looked at Henry—looked at him—for the first time in months.

“I… I don’t know,” 

She said, her voice barely above a whisper.

“But maybe we should talk. Not here. Somewhere real.”

Judge Bledsoe smiled faintly.

But, on the other hand…The George, Vern and Randy Plea.

“Court is adjourned.”

As the gavel fell, Henry turned to Sherry Lynn.

“There’s a little diner down the road,” 

He said.

“We used to get cherry pie there after church.”

She nodded.

“Maybe one slice… on the other hand.”

The Legacy of Lefty Frizzell: Influencing Country Legends

By Benjamin GroffMedia© | benandsteve.com | 2025 Truth Endures©

1–2 minutes

“The Voice That Taught a Generation”

Lefty Frizell

In the summer of 1950, a determined young singer named Lefty Frizzell stood outside Jim Beck’s recording studio. He was in Dallas, Texas. He was ready to make his mark. At just 22, he had already weathered a storm of heartbreak, barroom gigs, and run-ins with the law. Lefty had slicked-back hair and a crooked grin. A battered guitar was slung over his shoulder. He aimed for more than just a break. He was pursuing his destiny.

William Orville Frizzell was born in Corsicana, Texas, in 1928. He earned the nickname “Lefty” as a boy. Stories about how he got the nickname vary, from a boxing match to being left-handed. What was undeniable, though, was his voice. Smooth, elastic, and full of feeling, it wrapped around words in a way that captivated everyone who heard it.

That day in Dallas, Lefty recorded a few songs. He included one he had penned during his time in jail, ‘If You’ve Got the Money (I’ve Got the Time).‘ Within a few weeks, Columbia Records released it, and just like that, Lefty was catapulted into stardom.

By the end of 1950, he had four songs in the country Top Ten—a feat unheard of at the time. His singing style was marked by stretched syllables and graceful phrasing. It would later profoundly influence legends like Merle Haggard, George Jones, and Willie Nelson. We are forever appreciative for this influence.

Yet fame came with a cost. Lefty struggled with alcohol and the pressures of the spotlight. Though his career saw ups and downs, his voice never lost its magic. Even before he died in 1975 at the age of 47, he would sing for country artists. They would still gather around to hear him. They wanted to remember the man who changed the sound of country music forever.

Merle Haggard once said, 

“I can’t think of anyone who has influenced me more.”

Lefty Frizzell didn’t just sing songs—he bent time with his voice and taught a generation how to feel every word.

Vern Gosdin’s Legendary Blizzard Concert Experience

GROFF MEDIA 2024© TRUTH ENDURES IMDBPRO

Presented by benandsteve.com By: Benjamin Groff II©s

3–5 minutes

The Night Vern Gosdin Played for Twenty

Harry had worn many hats in his life. One of his most memorable roles was as a news director. He also served as an operations manager at a radio station in the lower Great Plains. His job included ensuring that touring musicians arrived at their venues without issue. He also ensured that their shows went off without a hitch.

Artists like Dan Seals, Davis Daniel, and Vern Gosdin have passed through the area over the years. They brought country music to fans eager to taste Nashville. But one night in particular stood out—the night Vern Gosdin played for twenty.

Gosdin, known as “The Voice,” was a country music legend. His pedigree included stints with the Golden State Boys, The Byrds, and collaborations with George Jones. He had a rich, smooth baritone. It gave life to timeless hits like Set’ Em Up Joe. He also brought If You’re Gonna Do Me Wrong, Do It Right to life. Another classic was Chiseled in Stone. Fans were eager to see him live. He was scheduled to sing at a local college auditorium and field house. This event was set for one Saturday night in January.

On Friday, Harry arrived at the venue to oversee the setup. Everything was in place—sound, lighting, seating—and aligned with the band’s requirements. The only concern was the weather. Forecasts hinted at snow, but the storm was expected to stay north of the region. Gosdin’s tour bus had pulled in behind the venue by noon on Saturday. The final checks were made, and everything looked good to go.

Then, the storm took a turn.

By late afternoon, the sky darkened, and the wind began howling. Within hours, blizzard-like conditions descended on the area, dumping nearly a foot of snow. Whiteout conditions made travel treacherous. The state highway department issued warnings urging motorists to stay off the roads unless it was an emergency.

By showtime, only twenty dedicated souls had managed to reach the venue. The sold-out crowd was nowhere to be seen, trapped by the snow. Their decision to be there showed strong dedication. They braved treacherous conditions as a testament to their love for Vern Gosdin and his music.

Despite the dismal turnout, Vern Gosdin and his band took the stage as if playing to a packed house. Gosdin stepped to the microphone, wore a warm smile, and said, –––

“We made it. For those of you here, we will play!”

The Voice filled the nearly empty hall with his opening number. He sang “I’m Gonna Be Moving,” a gospel tune. It resonated with many of his fans. He followed with “I Can Tell By the Way You Dance.” The concert became extraordinary from that moment on.

The crew saw rows of empty seats. They decided to clear a space near the stage, which was turned into a dance floor. The twenty die-hard fans swayed, twirled, and laughed as Gosdin played every song from his setlist. It was no longer just a concert but an intimate, once-in-a-lifetime experience, a privilege they can claim. Between songs, Gosdin and the band chatted with the audience, taking requests and sharing stories.

The small but mighty crowd erupted into cheers when he played his final song and left the stage. Their enthusiasm filled the hall, and they refused to let the night end.

A minute later, Gosdin and his band returned.

He picked up his guitar for his encore and grinned at his audience. He broke into I’m Moving On. Then, he followed with That Just About Does It. The twenty lucky souls in attendance soaked up every note, knowing they were part of something special.

Outside, more than fifteen inches of snow had blanketed the town. The roads were treacherous, but Gosdin’s bus driver was determined to push ahead. He asked Harry to lead them to the highway, where they would inch their way north. Harry agreed, and with the radio station’s car guiding the way, the tour bus crept through the snow-covered streets.

After twenty miles, the highway finally began to clear. As the bus picked up speed, the driver gave a long honk. It was a final thanks to Harry for helping them through the storm. It was also for an unforgettable night on the Great Plains.

The twenty who braved the blizzard that night in Goodwell, Oklahoma, gained more than a concert experience. They had seen a legend up close. It was a personal meeting in a performance that would be talked about for years to come. The memories of that night, the laughter, and the music will stay with them forever. The sense of community was also unforgettable. This is a testament to the enduring power of live music.

Jimmy Carter: The Country Music President

Groff Media 2024© Truth Endures IMDbPro

Presented by benandsteve.com By: Benjamin Groff II©

2–3 minutes

The year was 1977, and Jimmy Carter had just taken the oath of office. A peanut farmer from Georgia, he brought a unique sensibility rooted in his Southern upbringing and a deep love for American culture, particularly country music. This unique combination of his Southern roots and his love for country music not only shaped his personal life but also influenced his presidency, allowing him to connect with the struggles and joys of everyday Americans.

Waylon Jennings Family

When he stepped into the White House, Carter made it clear that the arts, especially music, would have a place of honor in his administration. He often reminisced about listening to gospel and country music on the family radio back in Plains, Georgia, where the soulful twang of artists like Hank Williams and the Carter Family resonated with the struggles and joys of everyday Americans, a sentiment he deeply shared.

One evening, during a White House dinner, Carter invited Willie Nelson to perform on the South Lawn. The night was balmy, and as the country star strummed his guitar under a canopy of stars, Carter took the opportunity to speak.

White House Photo – Carter Library

“Country music,” he said, “is the heart and soul of America. It tells the story of our struggles, faith, and hope.”

Carter’s admiration wasn’t just lip service. He actively promoted the genre, ensuring it received the recognition it deserved as an integral part of American culture. He invited artists like Loretta Lynn, Johnny Cash, and Dolly Parton to the White House. He even arranged for country music showcases at international events to share a slice of Americana with the world. His unwavering efforts significantly influenced the genre’s rise to mainstream respectability during the late 20th century.

Bill Anderson with The Carters

But Carter’s legacy extended far beyond his love of country music. He brokered the Camp David Accords, a landmark peace agreement between Egypt and Israel that demonstrated his diplomacy skills and commitment to global peace. He championed human rights globally, making them a cornerstone of U.S. foreign policy. He also pushed for energy conservation, installing solar panels on the White House roof long before climate change became a widely recognized issue.

After leaving office, Carter’s achievements only grew. He founded The Carter Center, dedicated to promoting democracy, fighting disease, and mediating conflicts worldwide. His work eradicating diseases like Guinea worm, even in his post-presidential years, demonstrated his enduring compassion and determination to make the world better.

As for country music, Carter’s genre promotion left a lasting legacy. Many country artists credited him with helping to elevate their art to a global stage. Even decades later, when asked about his presidency, Carter would smile and say,

“If I could broker peace and get people to tap their feet to country music, then I’ve done my job.”

Jimmy Carter’s presidency may not have been perfect. Still, his love for the arts, his commitment to peace, and his tireless work for humanity made him a leader whose legacy resonates far beyond the Oval Office.

What Is It That Makes Country–Country Music?

The True Legends: From Jimmie Rodgers to Willie Nelson

Country music, a genre deeply ingrained in the tapestry of American culture, draws its strength from the trials, joys, and heartaches of everyday life. From its modest beginnings to its monumental ascent, the narrative of country music is a tapestry woven with characters and stories that resonate with unwavering authenticity and passion. The true legends of country music—Jimmie Rodgers, Hank Williams, George Jones, Hank Locklin, Faron Young, and many others—have left an indelible mark on this genre, each contributing to its legacy with a unique and profound resilience.

Jimmy Rodgers

Jimmie Rodgers, known as the “Father of Country Music,” was one of the first to bring the genre into the national spotlight. Born in Meridian, Mississippi, Rodgers combined the sounds of rural southern blues with the yodeling of Swiss folk music, creating a distinctive style that captivated audiences. His songs, like “Blue Yodel” and “In the Jailhouse Now,” spoke to the struggles and stories of ordinary folk, setting the stage for future country artists to follow.


Hank Williams, often hailed as the “King of Country Music,” continued this tradition with his poignant lyrics and heartfelt delivery. Songs like “Your Cheatin’ Heart” and “I’m So Lonesome I Could Cry” became anthems of sorrow and longing, touching the hearts of millions. Williams’ influence is so profound that his music still echoes the work of contemporary country artists.

Faron Young

George Jones brought a new depth to country music with his rich, expressive voice. Known for his rollercoaster life and tumultuous relationships, Jones channeled his experiences into his music, producing forever hits like “He Stopped Loving Her Today” and “The Grand Tour.” His ability to convey raw emotion made him a beloved figure in country music, earning him the nickname “The Possum.”

Hank Locklin

Hank Locklin and Faron Young also shaped the country music landscape. With his smooth tenor voice, Locklin was known for hits like “Please Help Me, I’m Falling” and “Send Me the Pillow You Dream On,” showcasing his unbelievable talents to blend traditional country with pop sensibilities. Young, on the other hand, brought a honky-tonk edge to his music with songs like “Hello Walls” and “Live Fast, Love Hard, Die Young,” capturing the rebellious spirit of the genre.

These legends performed everywhere—from the hills and hollows to the bustling streets of New York City. They sang in juke joints, honky-tonks, street corners, and county fairs, sharing their music with anyone who would listen. Their songs spoke of the heart and soul of America, touching on themes of love, loss, cheating, and redemption. They didn’t rely on flashy gimmicks or expletive-laden lyrics; their music and performances were a testament to their genuine connection with the audience. They thrived on the crowd’s energy, dressed to the nines, ready to pour their hearts out on stage.

George Jones & Ben G.

Having had the honor of spinning records at AM and FM stations nationwide and serving as a news reporter, I’ve witnessed firsthand how the magic of country music resonates with people. Unfortunately, today’s radio often fails to capture the essence of what made country music great. It has lost its way, drowned in a sea of commercialism and superficiality. As a devoted follower of country music, I find solace in satellite radio, particularly Willie’s Roadhouse, where the spirit of authentic country music lives.

Willie Nelson, one of the few remaining legends from the golden age of the country, continues to be a beacon of authenticity in the genre. His music, characterized by its sincerity and simplicity, reminds us of what country music once was and still can be. His influence and contributions are immeasurable, and I extend my best wishes to him and heartfelt thanks to everyone who has kept the spirit of country music alive. 

Willie Nelson

In conclusion, country music is not just a genre; it is a reflection of the American experience. The legends shaped it with their talent, integrity, and a deep connection to their audience. Their music continues to resonate because it speaks to the universal themes of life—love, heartache, joy, and sorrow. As we look to the future, let us remember and honor these true legends who paved the way. Let their legacy inspire a new generation of country artists to keep the heart and soul of this beloved genre alive, preserving its spirit for generations to come.