The Brothers of Friday the 13th: A Country Music Legacy

By Benjamin GroffMedia© | benandsteve.com | 2025 Truth Endures©

2–4 minutes

The Brothers of Friday the 13th

They say Friday the 13th brings bad luck. But, for Jack Anglin and Johnnie Wright, it brought something entirely different. It brought love, brotherhood, and the country music that carves its way into the soul.

Jack and Johnnie were destined to sing. Their childhoods were steeped in gospel, church choirs, and the rhythm of the land. They met as they met most things in life—through music. And they married as they did everything else—on a Friday the 13th. Jack wed Louise, and Johnnie took her sister, Muriel, as his bride. This made them brothers-in-law, but their voices had already made them brothers in spirit, their bond unbreakable.

They began touring as Johnnie & Jack, their harmonies tight as barbed wire and twice as sharp. They sang of sorrow and salvation, of trains leaving and lovers staying. And behind them, always, stood the sisters.

Johnnie’s wife, Muriel, had a soft voice. It could’ve gone unnoticed if not for a quiet evening at home. She hummed along to a song Johnnie was working on. He stopped strumming, looked at her, and knew.

“You need a stage name,” 

He said. 

“Something people will remember.”

He thought a moment, then grinned. 

“Kitty Wells.”

She laughed at the name, but it stuck. Kitty Wells soon became the Queen of Country Music. Her voice turned the tide with It Wasn’t God Who Made Honky Tonk Angels. The song gave women in the country their place in the spotlight.

In a later interview, Johnny recalled that the name “Kitty Wells” came from an old spiritual recording. He used to play it during his early days working at a radio station. The name stuck with him. When it came time to give Muriel a stage name, it felt like the perfect fit. It was familiar, timeless, and filled with meaning.

Life moved fast. Fame came. Tours blurred together. But Jack and Johnnie were always together—on stage, on the road, in life.

Then came March 1963.

Patsy Cline, Cowboy Copas, and Hawkshaw Hawkins—all killed in a plane crash returning after a charity concert. The country music world was shattered. A memorial service was planned, and Jack insisted on going.

“Gotta pay respects,” 

He said. 

“We’ve all come up together.”

But he never made it.

On the fateful morning of March 8, 1963, Jack Anglin was en route to the service. Tragically, he lost control of his car and crashed. His life was taken in an instant. The news reached the church before Johnnie’s arrival. They say the moment he heard, Johnnie was overcome with grief, falling to his knees. The man who had been his constant companion on every stage, in every storm, was no more.

It was a heartbreak no harmony can fix.

Johnnie went on as best he could. Kitty sang. The spotlight stayed, but something had shifted. There was a silence beside him now where Jack’s voice used to be.

Still, the music lived on.

Two men, two sisters, two voices joined by fate, and a wedding date no one forgets. Friday the 13th had given them everything—and, somehow, had taken it all back.

Yet, their songs endure, a testament to their enduring legacy. In every old record and radio play, their voices still resonate. Jack and Johnnie were brothers in music and marriage. Their harmonies echo through the years. It is a timeless tribute to their bond and art.

John Owsley Manier, Beloved Nashville Music Entrepreneur, Dies at 77

In Memoriam By: Benjamin H Groff II© Groff Media 2024© Truth Endures

John Owsley Manier, a beloved figure in the Nashville music scene and co-founder of the legendary Elliston Place nightclub, The Exit/In, passed away at his home in Dowelltown, Tennessee, on Friday, October 1. He was 77.

A native of Nashville, Owsley’s passion for music was evident from an early age. 

In the 1960s, he was a member of the rock band The Lemon Charade, but his entrepreneurial spirit left an inerasable mark on the city’s cultural landscape. 

In 1971, alongside Brugh Reynolds, he co-founded The Exit/In, a venue that would become one of Nashville’s most iconic music clubs. What began as a small listening room for local songwriters soon transformed into a celebrated 500-person capacity rock venue in the 1980s.

The Exit/In was not just a stage, but a platform for both local talent and global superstars, hosting a diverse array of artists over its 50-plus years. From The Red Hot Chili Peppers to Etta James, Johnny Cash to R.E.M., The Allman Brothers to Willie Nelson, Linda Ronstadt, and many more, the venue welcomed all, fostering a sense of inclusivity and diversity in Nashville’s music scene. 

It was also the site of numerous memorable moments, such as comedian Steve Martin leading the crowd into the streets for a parade or the venue’s feature in Robert Altman’s 1975 film Nashville.

Over the years, The Exit/In solidified its place in Nashville’s music history and became the anchor of the city’s “Rock Block” on Elliston Place. In 2023, it became listed on the National Register of Historic Places, proof of its enduring cultural significance. 

While the club has seen over 25 owners throughout its history, its influence on the local music scene has remained constant, a testament to its enduring legacy.

Owsley is survived by his son, Aaron Manier, sisters Cynthia Barbour and Helen Bryan, and niece McKeen Butler. A Celebration of Life will be held at The Exit/In on Sunday, October 13, at 3:00 PM, honoring his legacy with the music and stories that shaped his life and career. 

This event is a fitting tribute to a man who has left an indelible mark on Nashville’s music scene.

John Owsley Manier’s contributions to Nashville’s music community will not be forgotten. His enduring legacy continues to reverberate through the legends of artists and enthusiasts passing through the entrances of The Exit/In, leaving a lasting impression that commands respect and admiration.